Vibrant vintage tablecloths!

I just love these vintage tablecloths – not just for their cheerful colours – but for what they tell us about how culture has changed.

Tablecloths from the 1930s (the Depression years) were distinguished by their bright, intense multi-coloured prints. The 1940s (the War years) saw more complex designs and subtle shading. The 1950s (prosperity!) brought in a more optimistic  point of view and the tablecloths reflected this excitement.

Their vintage cheerfulness is just as appropriate today. Never mind if the 1940s tea cloth you like is too small for your table. You can layer it over a modern solid-coloured larger cloth and have the best of both worlds!

At Mrs. Nicholson Home, we cherish these survivors, fascinated by the notion that they have endured much love and laundry!

Ref: “Colorful tablecloths 1930s-1960s – Threads of the Past” by Yvonne Barineau and Erin Henderson. And: “Collector’s Guide to Vintage Tablecloths” by Pamela Glasell.

Selection of vintage tablecloths ($20 - $90).

Selection of vintage tablecloths ($20 – $90).

This rayon teacloth from the 1930s features beautiful bright clear colours ($30). 32 inch square.

This rayon teacloth from the 1930s features beautiful bright clear colours ($30). 32 inch square.

Another view of the current selection.

Another view of the current selection.

Hi-ho, Silver! Away!

Who can explain the 50s fascination with horse lamps?  We can!

It was the popularity of the cowboy heroes of the 1930s and 40s – everyone from Hopalong Cassidy and the Lone Ranger to Roy Rogers and Gene Autry – which spilled over into domestic design.

At Mrs.Nicholson Home, we have no fewer than three horse lamps in stock right now!

The first one, in raspberry ceramic, could be as early as the 1940s. It has a very stylized mane and a wonderful oblong shade with French trim.

Raspberry ceramic horse lamp ($195).

Raspberry ceramic horse lamp ($195).

The second, in green ceramic, sports a brass bit in his mouth. His modern lampshade is trimmed in 70s braid.

Green horse lamp ($110).

Green horse lamp ($110).

The last, a prancing horse in a mottled brown and yellow ceramic, has a vintage fibreglass shade.

Prancing horse lamp ($145)

Prancing horse lamp (SOLD)

Hi-ho, Silver! Away!

 

We love lamps!

We love vintage lighting. A particular favourite this week is this chartreuse lamp from the late 1940s or early 1950s, a period known for its tropical motifs. Reminds me of Dorothy Draper, the great American decorator. It could be Royal Haeger but there is no longer a paper tag to prove it. The vintage fibreglass  shade in the same green was a lucky find! A really pretty lamp when lit, it would be fabulous in your summer sun porch next to your barkcloth pillows.

Fabulous 40s or early 50s “leaf lamp” with original wiring. Vintage fibre glass shade. ($195)

Fabulous 40s or early 50s “leaf lamp” with original wiring. Vintage fibre glass shade. ($195)

LOVE and the Masons come to town!

Love is in the air this June 2nd morning in Annapolis Royal. In the store we have a wonderful tennis-themed Couroc inlaid tray from the late 1950s. Outside we had a fantastic parade of Masons from all over Nova Scotia celebrating the 275th anniversary of the birth of Freemasonary in Canada. First Lodge founded in 1738 right here in Annapolis Royal, the Town of First Things!

Couroc tennis tray ($75)

Couroc LOVE tennis tray ($75)

Masons (priceless)

Masons (priceless)

Use what you have – Annapolis Royal as a Design Destination

I believe that using what you have can transform the future…and that talking about it can make others believe it too.  I know you need teams to execute plans, but every project begins with an idea, and de facto, every project needs a promoter to tell its story. First, of course, you need an idea that everybody can understand and act upon. Then you need someone to sell it.  I am going to try and sell you my transformative idea.

It is to brand Annapolis Royal and area as a world-renowned Design Destination – a centre of excellence for the design arts. I believe we should use what we already have – our existing heritage, beauty and creative community  – as a springboard for sophisticated and sustainable rural development.  We can make it happen, because we have everything we need to make it happen.

Annapolis Royal is Canada’s oldest settlement, founded more than four centuries ago. It’s already a remarkable place, home to fewer than 500 people, and it’s where I run my tiny business, Mrs. Nicholson Inc. It’s also my husband’s home town, so I have a vested interest in its continued survival.

It’s true we’re not doing so well from an economic point of view.  No need to enumerate the reasons why…we all know them. We also know governments can’t support us now. So our futures must be determined by our own ability to use the things we have around us.  We have to learn to see those things as assets and then transform them into reasons why people from other parts of the world will want to visit us, buy from us or hire us to help them realize their own dreams.

In other words, we have to engage in transformational change. We have to learn to use what we have. So what do we have in Annapolis Royal?  We are blessed with charm, character, heritage, award-winning attractions and extraordinary people. We have enough devoted and experienced artists, designers and craftspeople with established reputations and impeccable credentials to support our claim as a world-class centre of excellence for the design arts.

I believe that branding ourselves as a Design Destination is an economic development opportunity that would increase the value of the arts/craft/design community to the area economy. I believe that if we all worked together to attract our target audiences, we could:

  • enhance the business and marketing capacity of our creative community members
  • increase our local market range
  • build our export markets, and
  • attract new artists, craftspeople, designers and commercial applications to our area.

And who would be our target audiences? Well, interior designers and decorators and folks who just love houses and people who love to shop and set designers and gardeners and preservation architects and heritage contractors and you get the picture. Anybody living within a thousand miles…and everybody else in the world via Facebook, Twitter and all the other new media we didn’t have seven years ago when I first thought of this.

I believe we can create such a captivating reality in Annapolis Royal and its surrounding area that people will not be able to resist coming to see what that “design destination” buzz is all about. Why?  Because the world is fraught.  People are emotionally weary, with even less time to spend on themselves and the refreshment of their bodies and souls. I believe Annapolis Royal and area is almost uniquely positioned to provide hope and relief to the people who will be drawn to participate in what we have to offer.

Through our heritage, they’ll see continuity with the past. Through our geography, they’ll see unspoiled rural beauty. Through our wealth of restored and re-purposed buildings, they’ll see an example of the successful recycling of old and unwanted structures.

Through our artists and craftspeople and shop owners and volunteers, they’ll see an intelligent, vibrant economy and relevant cultural institutions. Through our citizens, they’ll see a real community. Who wouldn’t want to come and visit us, shop with us, learn new skills with us, raise their children among us?

And when they come, we will reap the economic benefit. Annapolis Royal, the birthplace of our country, will be standing on its own two feet….firmly planted in today’s global economy. That’s the goal of the Design Destination idea… to use what we already have to support ourselves. I believe it’s an idea whose time has come. We should get to it.

 Mrs. Nicholson Inc.